Bill and Ted discuss John G. Avildsen’s “The Karate Kid,” a surprisingly touching ‘fish-out-of-water/zero-to-hero’ teen story with a nice balance of martial arts and California sun. If you enjoyed this film you may also like these; here are Ted’s Picks: The Power of One (1992), Lean on Me (1989), Rocky (1976)
Bill and Ted discuss Ang Lee’s “Sense and Sensibility,” the 1995 adaption of Jane Austen’s 1811 commentary on the social mores of late 18th century England and the place of love, honour and romance alongside practicality concerns revolving around property, patronage and inheritance. The plot follows the widow Dashwood and her three daughters as the older two, Elinor and Marianne, struggle through the challenges of finding marriage proposals without a dower. If you enjoyed this film you may also like these: Clueless (1995), Mansfield Park (1999), Bridget Jones’s Diary (2001)
Bill and Ted discuss David Lean’s “The Bridge on the River Kwai,” the celebrated WWII war/anti-war film about the madness of war in a Japanese prisoner of war camp deep in the jungles of Ceylon (Sri Lanka); a film about leadership, gorilla engineering, pride in workmanship and sabotage. If you enjoyed this film you may also like these: The Great Escape (1963), Empire of the Sun (1987), Unbroken (2014)
Bill and Ted discuss Jon Favreau’s “Chef,” known for its pairing of foodie glamour shots and Latin infused jazz and blues music! If you enjoyed this film for its father and son story of coming back from the brink of failure check out The Pursuit of Happyness (2006), or for its father/son food focus then Jiro Dreams of Sushi (2011) or its behind the scenes view of restaurant life then Big Night (1996). For a father/daughter version with great Mexican food, Tortilla Soup (2001).
Bill and Ted discuss Lawrence Kasdan’s “The Big Chill,” known for its powerhouse cast and great soundtrack. If you enjoyed this film for its investigation into grief you may also like these: Manchester by the Sea (2016), Four Weddings and a Funeral (1994), Ordinary People (1980). If you liked the hang-out story line you may also like these: The Breakfast Club (1985), American Graffiti (1973), Dazed and Confused (1993)
Bill and Ted discuss Terry Gilliam’s “Brazil,” known for its dystopian themes and film noir style, its cutting satirical humor and vivid dream/nightmare imagery. If you enjoyed this film you may also like these: Blade Runner (1982), Kafka (1991), Dark City (1998)
Bill and Ted discuss the Michael Curtiz classic WWII film “Casablanca,” known for its film noir cinematic style, iconic romantic performances by Humphrey Bogart and Ingrid Bergman and the classic song, “As Time Goes By.” If you enjoyed this film you may also like these; here are Ted’s Picks: The Maltese Falcon (1941), Notorious (1946), Citizen Kane (1941)