Bill & Ted discuss early silent short films from the dawn of film making: Thomas Edison’s “The Kiss,” (1896); Louis Lumière’s proto cinéma vérité film “The Arrival of the Train,” (1896); Georges Méliès’ iconic Jules-Verne’s-esque sci-fi film “A Trip to the Moon,” (1902); Edwin S. Porter’s Western “The Great Train Robbery,” (1903); D.W. Griffith’s Rom-Com Tragedy “The Making of a Man,” (1911); Charlie Chaplin’s Action Comedy “The Tramp,” (1915); Man Ray’s Experimental film “The Return to Reason,” (1923); and Luis Buñuel’s Surrealist film with painter Salvador Dali, “Un Chien Andalou,” (1929).
Bill and Ted discuss David Lynch’s 1984 adaptation of Frank Herbert’s Hugo and Nebula award winning novel “DUNE” first published in 1965. A complex, epic, science-fiction, surreal, eye-popping, auditory, extravaganza puzzle of a film that comes across like a dream, and, like a dream when awake, all the pieces of the puzzle don’t exactly fit. Dense and complex, dealing with themes of politics, religion, ecology, intergalactic colonialism, and commodity warfare, “DUNE” tells the story of Paul Atreides (Kyle MacLachlan), an orphaned prince who becomes a messianic leader while discovering his greater purpose and upending the whole order of the known universe. This episode is as long as the sand on Arrakis is deep.
Bill and Ted discuss Christopher Nolan’s 2014 film “Interstellar,” featuring Matthew McConaughey as Joe Cooper a former NASA test pilot and engineer venturing into space to save the world and his family from a worldwide blight-induced famine: Cooper’s odyssey sees him brave relativity, wormholes, a gargantuan black hole and the best and worst aspects of humanity in the darkness of interstellar space. A graceful film full of love and rockets, physics and ghosts, gravity and robots, the 5th dimension and even a sort of time travel co-starring Michael Caine, Anne Hathaway, Casey Affleck, Jessica Chastain, Topher Grace, Ellen Burstyn and a young Timothée Chalamet and Mackenzie Foy.
Bill and Ted discuss Nicholas Meyer’s 1982 Sci-Fi film “Star Trek II: The Wrath of Khan.” The crew of the Star Ship Enterprise encounter a nemesis from their collective past, Khan Noonien Singh (Ricardo Montalban), bent on revenge and desperate to use an experimental terraforming technology called Genesis. Themes of friendship, self-sacrifice and aging permeate this film that both subverts and exceeds expectations while remaining true to its source material and characters. The Wrath of Khan may just be one of the best sequels of all time and certainly is the best of the classic Trek films. If you enjoyed this film you may also like these; Here are Ted’s Picks: Star Wars: Episode V – The Empire Strikes Back (1980), Star Trek VI: The Undiscovered Country (1991), Serenity (2005)