Episode 64 – Metropolis (1927)

Bill and Ted discuss Fritz Lang’s 1927 landmark silent science-fiction drama “Metropolis” where utopia collides with dystopia and the head of the planner desperately needs a mediator for the hand of the worker. Gustav Fröhlich stars as Freder, the privileged son of Johann Fredersen (Alfred Abel), the technocratic designer and overlord of the futuristic city Metropolis who falls in the love with Maria (Brigitte Helm), a kind-hearted woman and the spiritual leader of the workers. Maria and Freder’s dream of a better tomorrow for the whole of Metropolis meets resistance in the face of a mad-scientist bent on revenge. Metropolis is a kind of masterclass blueprint for nearly a century of epic world-building cinema. At every turn there is some archetypical concept, theme, character, visual image, or moment that viewers will recognize from a multitude of films. With its mix of politics, religion, science-fiction, action, futurism, and romance, Lang’s Metropolis is a highly influential film that has left an indelible imprint on generations of film makers.   

If you enjoyed this film, you may also like these Ted’s Picks: Blade Runner (1982), Batman (1989), The Matrix (1999)

Episode 54 – Guess Who’s Coming to Dinner (1967) & Get Out (2017)

Bill and Ted discuss Stanley Kramer’s social problem film “Guess Who’s Coming to Dinner” (1967) and Jordan Peele’s social thriller/horror film “Get Out” (2017). Released fifty years apart, Kramer’s film is about encouraging changing attitudes regarding racism in America where Peele’s film is about investigating how slow that progress actually has been. One film is filled with anxiety and optimistic hope, the other with anxiety and pessimistic doubt. Putting these films together is an exercise in comparisons and contrasts, a barometer of where N. American Culture has been and where it is now. Films aren’t only conversations with their audiences, sometimes they have conversations with each other. Join Bill and Ted for this experimental double feature episode.

If you enjoyed this film, you may also like these Ted’s Picks: The Defiant Ones (1958), In the Heat of the Night (1967), The Stepford Wives (1975)