Episode 64 – Metropolis (1927)

Bill and Ted discuss Fritz Lang’s 1927 landmark silent science-fiction drama “Metropolis” where utopia collides with dystopia and the head of the planner desperately needs a mediator for the hand of the worker. Gustav Fröhlich stars as Freder, the privileged son of Johann Fredersen (Alfred Abel), the technocratic designer and overlord of the futuristic city Metropolis who falls in the love with Maria (Brigitte Helm), a kind-hearted woman and the spiritual leader of the workers. Maria and Freder’s dream of a better tomorrow for the whole of Metropolis meets resistance in the face of a mad-scientist bent on revenge. Metropolis is a kind of masterclass blueprint for nearly a century of epic world-building cinema. At every turn there is some archetypical concept, theme, character, visual image, or moment that viewers will recognize from a multitude of films. With its mix of politics, religion, science-fiction, action, futurism, and romance, Lang’s Metropolis is a highly influential film that has left an indelible imprint on generations of film makers.   

If you enjoyed this film, you may also like these Ted’s Picks: Blade Runner (1982), Batman (1989), The Matrix (1999)

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1920's, Action, B/W Film, Drama, Sci-Fi, Social Problem Film

Episode 62 – Early Silent Short Films

Bill & Ted discuss early silent short films from the dawn of film making: Thomas Edison’s “The Kiss,” (1896); Louis Lumière’s proto cinéma vérité film “The Arrival of the Train,” (1896); Georges Méliès’ iconic Jules-Verne’s-esque sci-fi film “A Trip to the Moon,” (1902); Edwin S. Porter’s Western “The Great Train Robbery,” (1903); D.W. Griffith’s Rom-Com Tragedy “The Making of a Man,” (1911); Charlie Chaplin’s Action Comedy “The Tramp,” (1915); Man Ray’s Experimental film “The Return to Reason,” (1923); and Luis Buñuel’s  Surrealist film with painter Salvador Dali, “Un Chien Andalou,” (1929).  

If you enjoyed this film, you may also like these Ted’s Picks: Robert J. Flaherty’s “Nanook of the North” (1922), Harold Lloyd’s “Safety Last” (1923), Luis Buñuel’s “L’Age D’Or” (1930)

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1890's, 1900's, 1910's, 1920's, Art House, Auteur director, B/W Film, Cinéma Vérité, Comedy, Drama, Experimental, Rom-Coms, Satire, Sci-Fi, Western