Bill & Ted discuss early silent short films from the dawn of film making: Thomas Edison’s “The Kiss,” (1896); Louis Lumière’s proto cinéma vérité film “The Arrival of the Train,” (1896); Georges Méliès’ iconic Jules-Verne’s-esque sci-fi film “A Trip to the Moon,” (1902); Edwin S. Porter’s Western “The Great Train Robbery,” (1903); D.W. Griffith’s Rom-Com Tragedy “The Making of a Man,” (1911); Charlie Chaplin’s Action Comedy “The Tramp,” (1915); Man Ray’s Experimental film “The Return to Reason,” (1923); and Luis Buñuel’s Surrealist film with painter Salvador Dali, “Un Chien Andalou,” (1929).
Bill and Ted discuss Stanley Kubrick’s 1964 darkly satirical “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb,” a film that invites viewers to question their general safety and sanity, and maybe even their precious bodily fluids. It’s a movie about geopolitics, atomic bombs, loyalty, patriotism, fluoridation, and fear … not your usual topics for a comedy but if you can’t laugh you might have to cry. Dr Strangelove is as fresh today as it was at the height of Cold War nuclear proliferation.